Deep Purple - House Of Blue Light

edited August 11 in year-1987

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ARTIST: Deep Purple
ALBUM: The House Of Blue Light
LABEL: Polydor
SERIAL: DEEP 2A
YEAR: 1987
CD REISSUE: 2009, Polydor (Japan), P33P-20090

COUNTRY OF ORIGIN: image
LINEUP: Ian Gillan - vocals * Ritchie Blackmore - guitars * Roger Glover - bass * Ian Paice - drums * Jon Lord - keyboards

TRACK LISTING: 01 Bad Attitude * 02 The Unwritten Law * 03 Call Of The Wild * 04 Mad Dog * 05 Black & White * 06 Hard Lovin' Woman * 07 The Spanish Archer * 08 Strangeways * 09 Mitzi Dupree * 10 Dead Or Alive

Background

I might be in a minority for believing so, but 'The House Of Blue Light' years down the road stands up as a more consistent listen than any of the Steve Morse era albums, barely shading 'Purpendicular'.

'Blue Light' is frequently forgotten, as the fanfare that surrounded Purple's 1984 MK2 reformation settled down, leaving this as somewhat of an afterthought even though it is a melodic delight from start to finish.

Most of the media attention fixated on the tension between Gillan and Blackmore, which resurfaced during the recording of the album, most noticeably because of Blackmore's hatred for 'Mitzi Dupree' which ended up featuring his demo guitar work and nothing else.

Regardless 'Blue Light' straddles the line between commercial hard rock and AOR, and driven by a succession of stunning hooks this is one Purple outing I will never tire of. Blackmore somehow still owns the sound.

The Songs

Like 'Perfect Strangers' this has little in common with 'In Rock' or 'Machine Head', as Purple continued to update their approach to hard rock to suit the 80's. Cue infectious melodies right from the go, 'Black And White' chugging along thanks to Blackmore's bluesy riffing, with Gillan throwing in some harmonica.

Lord's organ drone opens 'Bad Attitude' which melodically has Rainbow stamped on it, obviously a Blackmore penned number and classy, Gillan always superior to Joe Lynn Turner. At least I think so.

'The Unwritten Law' is total AOR, a riveting piece of interplay, especially Lord's touches, this deserves to go down as legendary but hasn't due to a bunch of bloated hacks from the time who deemed Purple as uncool.

Refusing to let up is the pair of 'Call Of The Wild' and 'Mad Dog', continuing the frenzied melodic assault and if you've never bothered to check this out, now is the time. 'Hard Lovin' Woman' appears 17 years after 'Hard Lovin' Man' and what puts this track in the upper echelons has to be Lord's keyboard work in the opening bars, sweat-inducing indeed!

More in the traditional Purple metal vein is 'The Spanish Archer' but more curious is 'Strangeways' a seven-minute affair where Gillan's unique lyrics represent themselves in the line 'have you seen the headlines, princess engaged, three million out of work, but it's on the second page'. Working man's hero forever, which is why Gillan always shames a Robert Plant or Ozzy Osbourne.

'Mitzi Dupree' isn't spectacular indeed, sounding like a leftover from 'Who Do We Think We Are!', indicating maybe Blackmore had a point. Sensibly 'Dead Or Alive' is a fast-paced closer, as quick as Purple ever played, although I recall Gillan deriding it as 'shit' in an interview about the album back in 1987 which I discovered while trawling the internet. It might be basic, but it's a non-stop flurry of activity and most of all - heavy.

In Summary

Things descended further downhill following the release of the album, with Blackmore throwing a plate of spaghetti at Gillan backstage during the tour and not long after Gillan was out for the second time.

The album charted respectably, but seems to lack much of a profile as time has passed and you're more likely to see Namibia win the Rugby World Cup than Purple ever playing anything from this live.

A strong album that never sacrifices quality, and for those wanting to hear Purple at their melodic peak this is a vital listen as it makes a mockery of 'Slaves And Masters' and is more than the equal of 'Perfect Strangers' when considering anything Purple post 1984.


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Comments

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    DaveTDaveT Buenos Aires, Argentina
    edited August 11

    I gave it a good spin today after many moons. Some good songs here, like Bad Attitude, and a good deal of AOR melodies.

    An enjoyable album in itself if you don't compare it to the glory days of the early-to-mid 70s. Better than Who Do We Think We Are to these ears, tough.

    Agree with Alun's review, a strong melodic album, I even happen to like Blackmore's bluesy tone on Mitzi Dupree.

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    PatrickHemmingPatrickHemming Tampa Florida

    All in all it’s a solid album that leans towards AOR and that’s a good thing. The Unwritten Law in particular is outstanding. I need to get that in Dives the next time I’m in the 80’s.

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    ChrisChris Germany

    I always liked this better than Perfect strangers, which is kinda inconsistent to me. Sure, nothing here can beat Knocking at your backdoor and Perfect strangers, but it's very consistent and the opening trio of songs is sheer perfection to me. My favourite Purple-album, even if it can't touch the legend of their first three MKII-albums.

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    PatrickHemmingPatrickHemming Tampa Florida

    This will probably surprise no one, my favorite Deep Purple album is Slaves & Masters. Deep Rainbow I know. Lol

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    Took me a long time to start liking this album, I think partly because of the production is so flat and there are no standout songs like on Perfect Strangers. It took getting the LP and playing it loud to make an impact finally. The songs that are on Nobody's Perfect sound much better there.

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